mm377: Blast from the Past! No. 19

May 12, 2008

MUDGE’s Musings

There’s most read, and then there’s favorite. This is a post which yr (justifiably) humble svt is, regrettably, but not regretfully, not at all humble about.

lhc250x46_thumb2

Blast from the Past!

A post we really, really loved to write, and read, and re-read…

From our early days, originally posted August 30, 2007.

mm122: Simone Dinnerstein plays the Goldberg Variations

MUDGE’S Musings

Danger! Western Cultural

Treasures Content!

Run Away!

Did you ever read a novel, a newspaper or magazine article, a blog posting and say: “Wow, I wish I could write like that!”?

I had one of those WIWICWLT! moments the other day, when I encountered this outstanding music review in Slate. And, I don’t usually read music reviews, in Slate, or anywhere else.

Evan Eisenberg absolutely made me want to get out there and buy the music CD described. And believe MUDGE when he tells you that purchasing a classical music CD is probably the least likely act he might have been tempted to commit in these budget constrained times before reading this story.

Read the rest of this entry »

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mm355: Blast from the Past! No. 14

April 22, 2008

The MUDGE family is on vacation this week. We don’t know that we’ll be able to restrain ourselves from blogging during the entire span, after all the grandMUDGElets go to bed pretty early, but without access to our files, and WindowsLiveWriter, for this week only, when we feel that irresistible urge to blog, we’ll treat blogging like we do (sigh) exercise: we’ll just lie down until the feeling goes away.

But, the Prime Directive of Blogging reads: Thou Shalt Blog Daily! So shalt we.

There’s most read, and then there’s favorite. This is a post which yr (justifiably) humble svt is, regrettably, but not regretfully, not at all humble about.

lhc250x46_thumb2

Blast from the Past!

A post we really, really loved to write, and read, and re-read…

From our early days, originally posted July 30, 2007.

mm091: The Future of Internet Radio

MUDGE’S Musings

Written recently and not so regarding Pandora.com, MUDGE’s radio of choice these days. And, I do mean choice, since anytime I’m sitting at my home PC, I’m choosing what to listen to, sans annoying commercials, jingles or DJs.

Here’s one of my favorite reads: John Dvorak, a pioneer in the business of all things personally computational, an amazingly well-informed person, and who (and I say this in the most complimentary way) makes the average curmudgeon such as yours truly seem like a cock-eyed optimist.

Read the rest of this entry »


mm122: Simone Dinnerstein plays the Goldberg Variations. – By Evan Eisenberg – Slate Magazine

August 30, 2007

MUDGE’S Musings

Danger! Western Cultural

Treasures Content!

Run Away!

Did you ever read a novel, a newspaper or magazine article, a blog posting and say: “Wow, I wish I could write like that!”?

I had one of those WIWICWLT! moments the other day, when I encountered this outstanding music review in Slate. And, I don’t usually read music reviews, in Slate, or anywhere else.

Evan Eisenberg absolutely made me want to get out there and buy the music CD described. And believe MUDGE when he tells you that purchasing a classical music CD is probably the least likely act he might have been tempted to commit in these budget constrained times before reading this story.

Move over Glenn Gould, here’s Simone Dinnerstein.

By Evan Eisenberg
Posted Monday, Aug. 27, 2007, at 3:54 PM ET

Goldberg Variations

slate

The year was 1955. Three things happened: Albert Einstein died, and Glenn Gould recorded the Goldberg Variations.

It is difficult to describe the impact of the second event, in part because I was a fetus at the time. (The third event, of course, was my birth.) But I will try. For those of us—beatniks, philistines, fetuses—who thought of classical music as something powdered and periwigged, that slab of vinyl struck with the force of a meteor. The stegosaurs who played Bach as if he were Lawrence Welk sniffed the heady, pomade-purged air and keeled, metaphorically, over. The Cretaceous Age of Music had ended. The Age of Gould had begun.

We hear a lot about meteoric careers, but Gould’s—his concert career—really was. In 1964, at the height and breadth of his fame, he renounced the stage to devote himself to making records. Two years later he set forth the method to his madness in an essay in High Fidelity titled “The Prospects of Recording.” In prose of a puckish fustiness as distinctive as his playing, he made three predictions: One: that recording would supplant live performance. Two: that much of the real action, musically speaking, would take place in the studio. Three: that, as technologies of sound manipulation got better and cheaper, the line between artist and audience would be smudged and maybe even—in a distant, Gouldtopian future—erased.

During the course of the lengthy read (well worth it) there are several illuminating recorded samples (I just love the the linking capabilities of the web! But you know that about me — you haven’t forgotten about the sequitur already, have you?).

Please read and enjoy.

[Per L-HC’s reformed process, please click the link below for the complete article — but then please come on back!]

Simone Dinnerstein plays the Goldberg Variations. – By Evan Eisenberg – Slate Magazine

My current Pandora.com addiction notwithstanding (and, I do mean an addiction — it was on all day at work, and on now as I write this; find out more here and here and even here), I am, have been, and always will be a classical music person (listener — not performer!).

Bach, Mozart, Beethoven, Brahms and Mahler: my desert island fare. And, Glenn Gould was a god.

Everything else is commentary.

Sounds like the topic for a future blog post or 60.

Anyway, open up your mind and listen. Soon as post this I’m heading over to Amazon to buy the reviewed Simone Dinnerstein recording of the Goldberg Variations.

And isn’t Evan Eisenberg one hell of a writer?

Another thing: One feels that Dinnerstein was, from the start, playing for someone—unlike Gould, who played for himself and maybe, if he was in a sociable mood, Bach. Gould was one of the first classical musicians to master the mode of phonography I’ve called “cool”: Rather than reach out to the listener, he lets the listener come to him. Dinnerstein’s performance is anything but cool; it glows with a warmth that I will, with difficulty, restrain myself from calling maternal. Yet it has its own profound inwardness. Dinnerstein sheds some light on this: “When you’re pregnant, you’re aware of having somebody else there, but it’s also very much you. In a way, the most playing for yourself you could possibly do is playing with a baby inside.”

WIWICWLT!

It’s it for now. Thanks,

–MUDGE

Note!: the link to Amazon.com used above is for the convenience of faithful reader and represents no commercial relationship whatsoever. Left-Handed Complement should be so fortunate as to ever collect remuneration of any kind for this endeavor. I can link, so I link. It’s technology. It’s cool. Deal with it.

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mm091: The Future of Internet Radio – John C. Dvorak

July 30, 2007

MUDGE’S Musings

Written recently and not so regarding Pandora.com, MUDGE’s radio of choice these days. And, I do mean choice, since anytime I’m sitting at my home PC, I’m choosing what to listen to, sans annoying commercials, jingles or DJs.

Here’s one of my favorite reads: John Dvorak, a pioneer in the business of all things personally computational, an amazingly well-informed person, and who (and I say this in the most complimentary way) makes the average curmudgeon such as yours truly seem like a cock-eyed optimist.

He’s got this to say about Pandora and its ilk:

The Future of Internet Radio
07.17.07
Will the success of Web radio spell the end of traditional broadcast radio?

Dvorak

By John C. Dvorak

Over the past month or so, there has been a heated battle between the music industry and Internet radio about rights and fees. Actually, over the past decade, there has been nothing but trouble surrounding Internet radio. I think it’s one of the reasons that podcasting emerged as an alternative to Internet radio. Look closely at podcasting, however; with the exception of the advanced auto-download via RSS aspect, it’s actually just more Internet radio.

[Per L-HC’s reformed process, please click the link below for the complete article — but then please come on back!]

The Future of Internet Radio – Columns by PC Magazine

Dvorak points out that Internet radio has manifest advantages over broadcast: reach, on demand, and best of all, low cost:

The death blow, though, always comes down to money. The expense of streaming over the Internet is a fraction of what transmitter-based broadcasting costs. There is no big antenna, no transmitters, no special studios. Nothing within reason can change this metric.

For these $500 ears (a sad story for another time), the sound of Pandora.com is nothing less than superb.

And, as I’ve said at the top: no jingles, no “SUNDAY! AY! ay!”, no 20-minute blocks of clatter and clutter, no drive-time shenanigans from weasels trying to be Howard Stern (sui generis, which Latin phrase in this context means, “top weasel”), just music (of the non-classical variety) that I like to listen to.

I love Pandora.com! Let’s hear it for internet radio!

It’s it for now. Thanks,

–MUDGE

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